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This resource offers an introduction to copyright laws within the UK context when dealing with multidimensional media from repositories, archives and collections from that country.

The goal of this course is to introduce the Collections as Data principles in the cultural heritage sector to make available a digital collection suitable for computational use. Students will have a fundamental understanding of the complexities of Collections as Data as well as an appreciation of the diversity of the content provided by cultural heritage institutions. This course will be useful for small and medium-sized institutions willing to make available their digital collections suitable for computational use.

This resource is an introduction to Digitisation Methods for Material Culture. The resource explores basic topics with regards to the study of material culture, while also looking at types of media as means to communicate and share information about it, as well as digitisation methods to capture material culture data.

The conference aimed to examine the possibilities of connecting information sciences and computer science with performing arts, focusing on three thematic blocks: archiving, artistic practices and scholarly research. The international scientific and professional conference is part of the project of the same name by the DARIAH-EU Working Group Theatralia, which is dedicated to the research of digital technology in the performing arts and the digitization of theatralia, financed from DARIAH-EU funds.

A partnership between Kazerne Dossin and EHRI was established to enable sharing of metadata with a broader audience. This partnership resulted in changes to the practices of cataloguing archival materials within Kazerne Dossin. Using the example of the Lewkowicz family collection, this article focuses on the revolution Kazerne Dossin went through while standardising descriptions, and on the tools EHRI provided to optimise the workflow for collection holding institutes.

Many Galleries, Libraries, Archives, and Museums (GLAMs) face difficulties sharing their collections metadata in standardised and sustainable ways, meaning that staff rely on more familiar general purpose office programs such as spreadsheets. However, while these tools offer a simple approach to data registration and digitisation they don't allow for more advanced uses. This blogpost from EHRI explains a procedure for producing EAD (Encoded Archival Description) files from an Excel spreadsheet using OpenRefine.

The Fortunoff Visual Search is a tool for both data visualisation and collection discovery from the Fortunoff Video Archive for Holocaust Tesimonies. This blogpost demonstrates the Visual Search tool in the Fortunoff Video Archive, including the search and filtering interface, as well as interpreting the resulting visualisations

In the late 1930s, just before war broke in Europe, a series of chaotic deporations took place expelling thousands of Jews from what is now Slovakia. As part of his research, Michel Frankl investigates the backgrounds of the deported people, and the trajectory of the journey they were taken on. This practical blog describes the tools and processes of analysis, and shows how a spatially enabled database can be made useful for answering similar questions in the humanities, and Holocaust Studies in particular.

This blog discusses the applicability of services such as automatic metadata generation and semantic annotation for automatic extraction of person names and locations from large datasets. This is demonstrated using Oral History Transcripts provided by the United States Holocaust Memorial Museum (USHMM).

This blog post from EHRI introduces 'quod' (querying OCRed documents), a prototype Python-based command line tool for OCRing and querying digitised historical documents, which can be used to organise large collections and improve information about provenance. To demonstrate its use in context, this blog takes the reader through a case study of the International Tracing Service, showing workflows and the steps taken from start to finish.

This blog examines TEITOK, which is a corpus framework used as an alternative to Omeka. TEITOK is centered around texts and is similar to the Omeka interface – both allow you to search through the documents, and display the transcription. The main difference is that Omeka treats the transcription as an object description, whereas TEITOK not only shows that a word appears in a document, but also where it appears and how it is used.

This tutorial explains the fundamentals and usage of the DARIAH-DE Collection Registry, a tool that allows you to describe and index data collections. The manual gives an overview of the usability and functionalities of the Collection Registry and introduces best practice recommendations.

Understanding how digitisation of legacy data and digital technologies involved in those processes is key for a critical appraisal of digital history. This lesson examines the transformation of information from analogue to digital, using a collection of wire-recorded interviews conducted by psychologist David Boder in 1946 as a basis.

Have you ever reflected on the origin and authenticity of a historical source that you retrieved from the web? This lesson offers insights into how the practice of applying source criticism has been affected by the digital turn. What are the new questions that historians should ask of digitised and digital-born historical sources, and what new skills should they master to be able to answer these questions?

This tutorial explains the fundamentals of the DARIAH-DE Publikator, a tool which allows you to prepare, manage, and finally import your collections into the DARIAH-DE Repository using your favourite internet browser. The Repository provides the ability to store research data and enrich them with metadata. Through the use of persistent identifiers, a permanent machine-readable reference is ensured and findable via a generic search. The tutorial contains guides for users as well as technical documentation.